You can see me, but I don’t exist
Alan Gignoux
Exhibition-in-a-book
Published 2023
You can see me, but I don’t exist is a project by Alan Gignoux which pairs photographs of asylum seekers in three UK cities with creative writing written by the people photographed in response to their portraits. Please visit the main project page for information about the creative development of the work.
Supported by a National Lottery Project Grant the aim from the outset was to create an exhibition that could be made available to libraries in the UK during Refugee Week 2023. The exhibition-in-a-book concept provided a practical, affordable solution: exhibition-quality prints of the portraits were combined with the creative writing in a binder to which the work could be returned after the exhibition. The binder also included an exhibition poster, an exhibition introduction page, display suggestions and workshop plans. In summary, the binder provided complete materials for an exhibition, leaving the libraries with enough flexibility to create displays that were in keeping with their spaces, resources and visitors.
A tabloid-size newspaper version of the exhibition was also created so that participants in the project would have a record of their work.
Photos of book cover and spreads by Curtis James
About Alan Gignoux
Alan Gignoux is an award-winning documentary photographer and founder of Gignouxphotos, which produces documentary photography projects focussing on socio-political and environmental issues around the world. Gignoux specializes in long form documentary projects that explore an issue and its impact on communities over long periods of several years; combining photography, video, interviews, research, and writing in creative and innovative ways to create layered projects offering multiple perspectives.
Russian Rust Belt is Gignoux’s fourth book addressing an environmental theme. Earlier books include award-winning Oil Sands (2018) which looks at the Canadian bitumen mining industry, From Mountaintops to Moonscapes (2021) which documents mountaintop removal mining in Appalachia and Monuments (2022) in collaboration with Chloe Juno, which commemorates communities in Germany earmarked for demolition to make way for surface coal mining.
Credits
Alan Gignoux
Photographer
Woodren Brade
Essay
Emily Macaulay at Stanley James Press
Book Design
Chloe Juno
Creative Consultant
Ambrose Musiyiwa
Co-Editor
Jenny Christensson
Co-Editor
Book Details
Edition of 60, published 2023
341 × 297 mm
87 pages
33 photo pages printed on a FSC satin paper 250gsm
35 poem pages printed on Coloraction Salmon 160gsm
Cover printed on Colorplan Mandarin 350gsm
1 foldout A2 poster
Exhibition installation instructions page
Writing workshop prompts page
Hand bound with black screw posts
ISBN 978-1-9999610-7-7